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Discover the fantastic origins of The Huntsman (Chris Hemsworth) in this prequel to Snow White and the Huntsman from Universal Studios and writer/director Frank Darabont (The Green Mile, The Mist). ~ Jason Buchanan, Rovi
About The Huntsman Winter's War
Artist : Charlize Theron, Chris Hemsworth, Jessica Chastain, Rob Brydon, Nick FrostAs : Ravenna, The Huntsman, Sara, Gryff, Nion
Title : Ⓦⓐⓣⓒⓗ Full The Huntsman Winter's War Movie High Quality
Release date : 2016-04-22
Movie Code : 2381991
Duration : 123
Category : Action, Adventure, Drama, Fantasy
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By cramming far too much material into 114 minutes, The Huntsman: Winter's War feels rushed and incomplete.
There is something exciting about how seriously "Snow White and the Huntsman" takes its themes.
There would be use for a properly dark Frozen retelling, more in line with the original tale, where the afflicted actually uses her power for malfeasance. But Freya is a snow day late and a dollar short.
Sanders makes all the mistakes of a neophyte filmmaker, but doing it with such a massive budget leads to a cinematic hodgepodge of fractured fairy-tale imagery, computer-generated menacing forests and gamboling, turtle-riding fairies.
Snow White and the Huntsman has a darkness that seeps into the soul - but it's also definitely a missed opportunity. Director Rupert Sanders loses his nerve just when the story starts cooking.
Sanders does not (yet) share Guillermo del Toro's gifts, but he, too, has an eye for the beautiful and the grotesque, and for that entrancing borderline where the two meet.
This over-crammed, disjointed, and lugubrious film is misconceived from the ground up.
This "Snow White" is one of those revisionist fairy tales in which the princess takes control of her own destiny. A different actress might have been able to sell that, but Stewart can't.
At its best, "Snow White and the Huntsman" feels less like a desperate blockbuster and more like a handmade object.
There are many splendid reasons to see Snow White and the Huntsman - enough, maybe, not to care that neither Snow White nor the Huntsman rank high among them.
At least now we have an answer to the question, "Who's the dullest franchise of them all?"
The Huntsman: Winter's War is as beautiful as its macho lead actor Chris Hemsworth is handsome. The movie is also as vacuous, silly and boring as Hemsworth is awkward and awful in the title role.
Is this movie trying to be "Excalibur" or "My Little Pony"?
I resisted this derivative mishmash of classic fairytale and modern epic fantasy for as long as I could, but ultimately it swept me up into its geeky but manly embrace and carried me away on a white charger.
"The Huntsman" is a flabby mess - yet another sequel with no reason to exist.
The only one who comes out of this odd pairing unscathed is Walt Disney, looking smarter than ever for boiling the tale down to its mythical essence way back in 1937.
A bold rethinking of a familiar old story and striking design elements are undercut by a draggy mid-section and undeveloped characters in Snow White and the Huntsman.
Some of the fairy tale effects are marvelous; but the odyssey from darkness to light is unduly long and sloggy, and Stewart, with her contemporary edge, seems to be acting in the wrong era.
[It] all feels like serious, pay-attention-now, schoolroom stuff - Shakespeare without the poetry, "Braveheart" without the performances.
A virtual orchard of toxic excess, starting with the unnecessarily sprawling cast of characters.
Even the good bits lack zip and verve, and the bad bits leave you wondering why director Cedric Nicolas-Troyan (who did visual effects on the first entry) isn't doing more with the super-powered sibling rivalry that clearly sparks his interest.
Only Bob Hoskins as the blind seer Muir comes close to making us care. We can almost glean Snow White's heroic possibilities through his clouded eyes. As much as we'd like to, we certainly can't from Stewart's efforts.
A film that's considerably longer than it needs be, in which the evocative eloquence of storybook pictures is consistently garbled by the need to overexplain and psychoanalyze.
A surprisingly fine, fantastic movie it is.
Charlize Theron is offscreen for a full hour, presumably reading better scripts.
While the funny, action-packed sequences are the best parts, they are indicative of the film's main problems: an inability to focus and an overly complicated plot.
Astonishingly beautiful and breathtaking in its brutal imagery, Snow White & the Huntsman is thrilling and frightening in equal measure, yet as bereft of satisfying substance as a poisoned apple.
It turns into a clangy medieval epic, full of random woodland monsters and battles, and it begins to lose the pulse of its fairy-tale mystique. It's like watching Clash of the Titans IV: Revenge of the Blood Apple.
A slow, boring film that has no charm and is highlighted only by a handful of special effects and Charlize Theron's truly evil queen.
All fairly silly, but unfortunately the filmmakers don't quite realize it - along with banning love, decent gags seem to have been outlawed, too.
The script lifts so much plot from Disney's animated Frozen that it could qualify as a remake. No one sings "Let It Go," but my advice to audiences is to do just that.
Rare among the recent fairy tale adaptions (from Mirror Mirror to the dreadful Red Riding Hood) the invigorating Snow White and the Huntsman actually breathes new life into an old story.
What dooms Snow White and the Huntsman is ultimately not how over the top it is, but how dull it is.
There will be lots of versions of Theron's evil queen running around West Hollywood this Halloween; it's a performance that's one part Tilda Swinton to 30 parts Faye Dunaway, the sort of over-the-top craziness that spawns midnight screenings.
"Snow White and the Huntsman," a solemn but mostly savvy rewrite, is a welcome upgrade.
Great costumes can't quite compensate for a lackluster concept.
Doubled-up diva-tude, however, can't ignite a rhythmically flat, seemingly committee-helmed franchise outing that never decides on its dramatic center.
Really, Winter's War is superior to its predecessor in almost every way, with better pacing, funnier dwarves, a less overcast tone, and vastly more goblins.
The director sets a heart-pounding pace, pausing only for such interludes as Snow White's encounter with seven dwarfs who could not be more distant from their Disney forebears.
This slightly overstuffed entertainment rises, in part thanks to [Hemsworth], to one of the most pleasant surprises of the summer movie season so far.
This is a film that doesn't even obtain mediocrity. This is the industrial-grade level of bad that only can be enjoyed by fans who watch films ironically for hipster laughs.
The film . proceeds with a deliberateness rare in a big-budget franchise starter; you can sense the hand of coscreenwriter Hossein Amini (Drive) in the story's always involving, slow-build structure.
Witless, heartless and dull. Even the Twi-hards are going to want their money back.
Every resonant theme or intriguing story possibility is stripped away and replaced with a ready-made franchise-movie conceit.
Nearly every major character dies and comes back to life at least once and a convoluted narrative yields not a single, palpable moment of drama.
"Snow White and the Huntsman" reinvents the legendary story in a film of astonishing beauty and imagination.
It's a dunderheaded follow-up, for sure, but it's at least buoyed by Chris Hemsworth's charisma and the few times where Winter's War embraces complete camp.
The film borrows plenty, but it brings nothing new.
Stunningly shot and inconsistently acted and written, Snow White has enough visual fireworks to keep the film afloat, even if star Kristen Stewart can't get out of Twilight mode.
Perhaps the best thing about "Snow White and the Huntsman" is it doesn't smirk at itself. It plays out as a story about mortality and greed and oppression in a fantastical world, but it doesn't act as if anything is silly.
There needs to be urgency, shape, and emotional investment. In a word, a script. Otherwise, it's just a two-hour Vogue fashion shoot highlighted by Emily Blunt riding bareback on a polar bear.
It is an absolute wonder to watch and creates a warrior princess for the ages. But what this revisionist fairy tale does not give us is a passionate love - its kisses are as chaste as the snow is white.
It serves as both a talent-squandering prequel and sequel to Snow White and the Huntsman, while doing nothing more than name-check Snow White.
The film has the DNA of a blockbuster and the soul of a haunting folk tale. It is as dangerous, dark, intelligent and beautiful as its wraithlike villainess.
Snow does earn top billing, but don't be fooled: This film belongs to the Oscar-winning Theron, who sinks her talons into the killer part, making every snarl and outburst such wicked, cruel fun to behold.
[A] less-than-satisfying if occasionally entertaining fantasy romp that does feature some of the more talented actors on the planet.
After a while, you just sit back and let the thing wash over you, marveling and giggling as necessary.
Fails to realize the full potential of its ambitiously dark vision.
Gowns aside, this thing's a snooze: Events unfold tediously, and there are many scenes in which extras with dirty faces, playing demoralized townsfolk, mill about in a desultory fashion.
Handsome but hollow.
Overall, "The Huntsman: Winter's War" feels like a movie that didn't need making, but at least it justifies it existence.
Huntsman feints at being the Snow White retelling no one has ever seen before, but ultimately becomes the "been there, done that" of fairy-tale filmmaking.
Freya is given the barest veil of a backstory while Ravenna just oozes ribbons of black bile (literally) for her own evil reasons. These women may be strong but they are never deep.
If you liked "Frozen" but wish it had been angrier, "The Huntsman: Winter's War" is for you.
The story loses direction like forest wanderers relying on a bread-crumb trail.
Feels like a Russian oligarch has thrown a 'Game of Thrones' party and hired his favourite Hollywood actors to come in fancy dress.
There's nothing in Huntsman to hold its pieces together. Everybody's acting up a storm, but nobody expresses any urgency or aspiration or desire - and, what's worse, none of those great actors have been given any memorable lines.
There is a decent movie buried in here somewhere, but with such powerhouse actresses, it's dismaying that it feels so regressive from the first.
When people gripe about Hollywood's reliance on sequels and cheap franchise cash-ins, this is the kind of movie they mean: no Grimm's Fairy Tale, but a grim tale nonetheless.
"Snow White and the Huntsman" never quite delivers on its promise - a dark retelling of the fairy tale in which women hold the true power, good and evil - but it certainly is an attractive misfire.
As befits the modern fairy tale, there isn't so much a happily ever after as there is the promise of another sequel. Or prequel. Or whatever they come up with to take the Snow White concept to the bank one. more. time.
Theron gives the picture some spine. As Snow White, Kristen Stewart supplies the heart.
The movie's revisionist tone is startlingly enough to carry you along.
Sampling Tolkien, Disney, and Grimm, The Huntsman: Winter's War lays on the pastiche in slabs, but no one is slouching here.
As far as live-action reimaginings of fairy tales are concerned, this is one of the more inventive ones and is unquestionably better than 2011's Red Riding Hood misfire.
This incoherent screenplay seems to have been written by a roomful of the gorilla-like trolls who show up in the movie at one point.
When Snow rides into battle wielding a sword, you want to tell her to put that thing down before she pokes her eye out.
Vastly superior to Mirror, Mirror in every way. Great work from Charlize Theron.
Everyone here is punching a clock, or punching a blue screen, and everyone's glad when it's over.
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